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By dawwy777 | Monday, 12 March 2012 | Posted in , | With 0 comments

The class trip is underway and nobody is safe there either.
What They Say:
Kouichi and his friends found the tape Matsunaga left in the old school building, but the casualty count continued to rise. So class 3, led by Ms. Mikami and Chibiki, begin their class trip, where Kouichi, Mei, and Teshigawara meet in Mochizuki’s room to listen to the rest of Matsunaga’s tape. Through it
Matsunaga tells them what he did to stop the calamity…
The Review:
Content: (please note that content portions of a review may contain spoilers)
With the discovery of the tape in the previous episode, Another certainly ramped up the intensity of what had come before and the impact on those in the present. Finding out about the dead from then, the things people did to try and survive it and the history ever since of the class certainly would be more than enough to cast a pall on the class. With everyone out on their class trip now, something that just adds a whole lot more dread since avoiding things isn’t allowed, the layer of depression over everyone is rather oppressive. Understandably so as several more people have died now in new accidents as they tried to stay away from the school or get out of town outright.
To make matters worse, the class trip is to a really elegant looking place out in the mountains where it just adds to the oppressive feel a great deal. The students look out of place and would even if it was with them being all happy and smiling. With things in their minds about what they’ve seen and experienced and the smaller group that has learned of things from the past with the cassette tape, there’s a feeling of inevitability about what’s happening. To make matters worse, Mei is getting accusations from the class rep now about what’s happened since Mei had failed in her duties as the ignored extra student that she was designated to be. Kouchi isn’t keen on hearing this, but it’s something that Mei has to deal with even if it pains him.
While the tape offers them some ideas about how to deal with the situation, the episode spends a good bit of time focused on Mei herself as she talks with Kouchi. There are things from her past that are influencing her in the present with how she’s tackling this situation because of upbringing and family connections. With the two of them talking quietly in a sparsely decorated room, keeping things simple and straightforward, it’s a rather chilling piece as Mei recites these things about her past and her special friend. What she’s putting together between those events with her friend and Kouichi’s arrival in the school and the class and the way the balance was upset with how he interacted with her has her approaching the situation in a new way.
In Summary:
Another doesn’t avoid the body count here but it’s not the driving force like it was at times in the previous couple of episodes, or as graphic. What it wants to do here is two fold and it does each very well. The first is to move the class into its own place through the class trip, which has them in the decidedly awkward mountain area where they’re surrounded by ornate designs that are really out of place regardless of their mood. The second is to work through the character drama a bit more, notably with a focus on the back and forth between Mei and Kouichi that goes a long way towards her getting him to understand his place. But it also deals with the class at large and what they’re all going through in a few ways as well. It covers a lot of ground and is once more a very slowly paced but methodical series that has a lot going on. It’s a thick episode that doesn’t feel like it.
By dawwy777 | | Posted in , | With 0 comments
Shogakukan's 47th issue of Weekly Shonen Sunday magazine began serializing the new Anagle Mole manga by The Law of Ueki creator Tsubasa Fukuchi on Wednesday.
The comedy manga takes place in a world where some people dwell on the surface of the planet while others live underground. Some of the world's underground inhabitants are plotting to invade the above-ground society. In order to understand the lives and behavior of those who live above them, the people who live underground are planning expeditions to the surface.

The story follows a young spy from the underground named Teisatsu. In the manga's first chapter, Teisatsu ventures to the above-ground world, and the people's customs shock him as he interacts with those he meets on his journey.

Weekly Shonen Sunday serialized Fukuchi's The Law of Ueki manga beginning in 2001, and the manga artist launched the ping pong manga series Takkoku!!! in Shogakukan's monthly Shonen Sunday Super Zōkan spinoff magazine in 2009.
By dawwy777 | | Posted in , | With 0 comments
 Producers: J.C. Staff, NHK  
Aired: Oct 2, 2010 to Apr 2, 2011
Video Codec: H.264 
Aspect Ratio: 16/9 
Frame Rate: 23.976 fps 
Audio Codec: Nero AAC 
Sample Rate: 48 KHz 


Format: MKV 
Resolution: 848 x 480 
Size: ~55 MB 
Language: Japanese 
Subs: English (Softsubs)


Mediafire:
Episode 01: http://www.mediafire.com/download.php?bcwttpewcfadfmj
Episode 02: http://www.mediafire.com/download.php?tts9510owxf179t
Episode 03: http://www.mediafire.com/download.php?5u626b72q81munh
Episode 04: http://www.mediafire.com/download.php?m9hifffy30q8eca
Episode 05: http://www.mediafire.com/download.php?y85xkhgh20dlg5l
Episode 06: http://www.mediafire.com/download.php?kk0f4p2irek1rtc
Episode 07: http://www.mediafire.com/download.php?4zxko5sjvg7s4na
Episode 08: http://www.mediafire.com/download.php?qlgyg0flb6fx68q
Episode 09: http://www.mediafire.com/download.php?wjvzlvn48urzzeb
Episode 10: http://www.mediafire.com/download.php?8u28d3qqla3uq8i
Episode 11: http://www.mediafire.com/download.php?6vycqv95ym11eob
Episode 12: http://www.mediafire.com/download.php?pdm36yay0fkjf7v
Episode 13: http://www.mediafire.com/download.php?p18cjobh4apklj8
Episode 14: http://www.mediafire.com/download.php?drmiz5xo9n63pw8
Episode 15: http://www.mediafire.com/download.php?j35b6rvwjtqh4e1
Episode 16: http://www.mediafire.com/download.php?er925d8e27l7e25
Episode 17: http://www.mediafire.com/download.php?ufr61cvrn1n8mm1
Episode 18: http://www.mediafire.com/download.php?7lk51cbcil77k8n
Episode 19: http://www.mediafire.com/download.php?7tjv4aqlqyqoqa0
Episode 20: http://www.mediafire.com/download.php?qaxj1g257b0nfp5
Episode 21: http://www.mediafire.com/download.php?hb31i9wjndypzrr
Episode 22: http://www.mediafire.com/download.php?gxe64selkpsbmz6
Episode 23: http://www.mediafire.com/download.php?nanr79j571tn0l8
Episode 24: http://www.mediafire.com/download.php?bxd9iehvrrrd5d7
Episode 25: http://www.mediafire.com/download.php?4tl90c1fn44frrm

Rapidshare:
http://rapidshare.com/files/422890056/_ONS__Bakuman_-_01.mkv
http://rapidshare.com/files/424233791/_ONS__Bakuman_-_02.mkv
http://rapidshare.com/files/427272877/_ONS__Bakuman_-_03.mkv
http://rapidshare.com/files/427272934/_ONS__Bakuman_-_04.mkv
http://rapidshare.com/files/428360607/_ONS__Bakuman_-_05.mkv
http://rapidshare.com/files/429586871/_ONS__Bakuman_-_06.mkv
http://rapidshare.com/files/430854787/_ONS__Bakuman_-_07.mkv
http://rapidshare.com/files/432344375/_ONS__Bakuman_-_08.mkv
http://rapidshare.com/files/433756638/_ONS__Bakuman_-_09.mkv
http://rapidshare.com/files/435145018/_ONS__Bakuman_-_10.mkv
http://rapidshare.com/files/436585037/_ONS__Bakuman_-_11.mkv
http://rapidshare.com/files/438297084/_ONS__Bakuman_-_12.mkv
http://rapidshare.com/files/440320244/_ONS__Bakuman_-_13.mkv
http://rapidshare.com/files/443145067/_ONS__Bakuman_-_14.mkv
http://rapidshare.com/files/443640448/_ONS__Bakuman_-_15.mkv
http://rapidshare.com/files/444481307/_ONS__Bakuman_-_16.mkv
http://rapidshare.com/files/445779294/_ONS__Bakuman_-_17.mkv
http://rapidshare.com/files/447614296/_ONS__Bakuman_-_18.mkv
http://rapidshare.com/files/448340085/_ONS__Bakuman_-_19.mkv
http://rapidshare.com/files/449369912/_ONS__Bakuman_-_20.mkv
http://rapidshare.com/files/451090763/_ONS__Bakuman_-_21.mkv
http://rapidshare.com/files/452245348/_ONS__Bakuman_-_22.mkv
http://rapidshare.com/files/454053849/_ONS__Bakuman_-_23.mkv
http://rapidshare.com/files/455373723/_ONS__Bakuman_-_24.mkv
http://rapidshare.com/files/456989670/_ONS__Bakuman_-_25.mkv

Note:



Tips:
Copy the link and paste in new tab to download this anime.

Notice:
To support this anime, consider to buy the original varsion when it available in your region.
By dawwy777 | | Posted in , , , | With 0 comments


Sixteen and a superhero, what a time to be alive! And racing for the fastest man alive title….
What They Say:
Kid Flash is taken off a mission and put on a delivery job with deadly surprises.
The Review:

Content: (please note that content portions of a review may contain spoilers)
When you’re sixteen, or just turned sixteen, things can definitely go in ways you don’t expect. Case in point is young Wally West, aka Kid Flash, as he celebrates his sixteenth birthday and everything seems to start off right. With a snow day in the area, all the food he loves, the team promising a birthday party surprise and the hopes of a kiss from Miss Martian has him walking on air. He’s gotten a good group of friends since being a part of the group but he’s still always looking for more things. It’s cute how much of a simple horn dog he is when it comes to the way he wants a kiss for the Miss, but it’s juts as much fun to see his reaction when Artemis tells him that Miss Martian and Superboy are an item. He’s just so oblivious that some things can get past the fastest kid alive.
Where things go even worse for him though is when the team gets called up to do a team up with the Justice League proper to deal with a new threat only to be told he’ll be the odd man out on it. Since he’s all about the glory and the fun of things at the moment, he’s not exactly keen on the fact he’s getting assigned to courier duty by delivering some critical organs across the country that’s finding itself caught up in a wave of snow that’s orchestrated by the villain du jour. Unfortunately for Wally, he ends up coming across his own problems along the way in the form of Vandal Savage. Savage has long been one of my favorite comics villains but one that figures into events in odd ways, including in this series. He provides an interesting diversion here, one that’s more psychologically based than anything else which messes with Kid Flash in a way that he really needs.
While the show does play to the larger storyline going on here with the two hero groups working together, there’s some good little twists with Kid Flash’s story as it goes on. While he’s not portrayed as the smartest character on the series, he’s not an idiot but rather someone that takes a little longer to put the pieces together. He’s getting caught up in something definitely bigger here and it works to show him that he has to do the right thing before doing the thing he wants to do. The things he has to deal with here is decently done though it does go for the obviously easy route at the end, which is unfortunate. It does show Kid Flash in a better light here when you get down to it, but the main villain behind events is dealt with in a very simplistic way.
In Summary:
Young Justice has a pretty fun episode here that focuses heavily on Kid Flash, a character that certainly could use a bit more growth. While he’s still going to play up the personality a lot, he gets humbled in a couple of ways here, from the truth about Miss Martian and Superboy to what he experiences while trying to save the girl with the heart condition and having some roadblocks hit him along the way. I’m a big fan of Wally from when he held the title as Flash in the comics but I also like him in this form as well since I grew up reading about him like this. His adventure here is pretty good but it’s also all part of some larger things going on which gets touched on towards the end here. While the episode could have been a bit better paced and a little more focused, it’s still good simple superhero fun without any really dorky material.

By dawwy777 | | Posted in , | With 0 comments
Digital Manga Publishing again has made a Twitter based manga licensing announcement as they’ve put out the tweet that they’ve picked up the rights to a yaoi title and a josei title. On the josei side, they’ve acquired Risa Motoyama’s book Start With a Happy Ending, which is currently an ongoing work in Japan. On the yaoi side, they’ve acquired Kikuko Kikuya’s title Secret Thorns for release. This is a one-shot release and it, along with the josei title, are planned for print releases later in 2012.
By dawwy777 | | Posted in , | With 0 comments

With so many new April premieres just around the corner, more promotional videos and TV ads are starting to come online and the latest one comes in the form of a good length PV for Upotte!!, an anime adaptation of the ongoing manga series by Kitsune Tennouji that began in 2009. This series is being done as an ONA, or original net animation, directed by Takao Kato for Xebec who is doing the animation. The series is set to start on April 7th via Nico Nico Douga.

Plot Concept: At Seishou Academy, a newly transferred teacher discovers that girls like Funco always aim to do their best and shoot for their goals, often literally with live ammo. Because these girls aren’t just expert shooters, they are the guns, in human form.
By dawwy777 | | Posted in , | With 0 comments

Ignore that whole space opera/action side of the show, it’s time to focus on cute girls again!
What They Say:
Madoka, Lan, and Muginami spend a peaceful day at the Kamo Girls’ High Oraga Festival, enjoying all the events they helped put together.

The Review:
Content: (please note that content portions of a review may contain spoilers)
After an episode that really tried my patience last time around with the girls spending time away from everything only to mildly encounter the bad guys experiencing a little Earth life, this one is set to be pretty mellow as well as it focuses on the festival at the school. As is the norm it seems, things are going the way Madoka wants it to and the other two girls just kind of go along with it. With them in their track suits, we get to see them enjoying the festival, its sweets and the overall atmosphere of it all, which is pretty packed as a lot of people are checking it out. Of course, there’s also the appeal of Madoka in the film that took place as the promotional posters definitely make her look like a major motion picture actress.
That kind of material largely covers the first half of the episode and makes it filled with plenty of “cute’ character moments but little else beyond that as they go through the motions. In fact, this even goes more than halfway into the second half of the episode as well, idling it quite a lot until Madoka ends up getting news about how she’s being kept out of the loop from things from the Chairman directly, and at her order, in order to keep the city protected. It’s something that Madoka takes badly, but all she can do is to just run through the school with tears streaming down her face. Of course, things do eventually move back towards being proactive as Muginami and Lan are together waiting on Madoka so they can do what needs to be done, but it’s all just so hollow that it’s near impossible to get behind any of this.
In Summary:
Yes, the girls are cute. They have some simple but effective moments of being cute and girly. They have nice school life moments. They’re being sheltered and herded towards what they need to do by those in power that don’t want to ruin their childhoods at the same time. But the show is just so empty the majority of the time that it’s hard to really get into it. The characters haven’t been appealing as they come across so superficial in nature. What’s helped is that when the series goes for the action, it does it well because the animation is good and the overall design is spot on. The show does start to get towards the action at the end here, but it’s such a small part and such a tease when you get down to it that it only adds to the frustration. Unfortunately, shows like these are one of the reasons that science fiction based anime is in such a shoddy form these days.
By dawwy777 | | Posted in | With 0 comments

After the release of the two minute preview back at the beginning of March, a new short fifteen second TV commercial has debuted that shows off the series a bit more by focusing on the character of Yuka as voiced by Haruka Tomatsu. The series is set to begin broadcast on April 5th with direction by Seiji Mizushima and it is being produced by Sunrise while featuring a noteworthy voice cast as it uses the j-pop group Sphere for the roles of the girls.

By dawwy777 | | Posted in , | With 0 comments

Things come to a head as Shane again sets a whole lot of things into motion.
What They Say:
Someone dangers may be loose near the farm; Rick, Shane, Daryl and Glenn keep the group safe.
The Review:

Content: (please note that content portions of a review may contain spoilers)
Yeah, I’m still upset that they killed Dale. I can appreciate the series going in its own direction from the books, but the loss of certain storylines continues to disappoint in some ways. But still, what we get is more uncertainty here and again reaffirms that like the comics, nobody is truly safe when you get down to it. And that’s a big part of the appeal of the series in both forms in that you never know what will happen. The only thing you can hope for at this point is that they get off the farm. That storyline in the comics certainly took its time overall and it had a bit of a back and forth to it with where they went afterward, but more than likely when they leave the farm here, it’s all done and over with.
Dales death is serving as a catalyst for change, having made it clear to the group that they are indeed broken. How they deal with it though is not exactly how he might have wanted to do it though as we see the opening going very bloody from the start with a small group of them going out and just hunting down the walkers. It’s a bit of a misinterpretation, but at the same time you can see the point. Rather than constantly reacting, they’re now taking charge and being proactive. And they’re working through the pain of their loss by taking it out on those that can’t really feel anything at this point. They’ve lost so much in a relatively short period of time that it’s hitting them pretty hard now.
Things are coming together a bit more for everyone overall, though there are still stresses to be had. Moving everyone into the farm house certainly makes sense at this point and Hershel has made it clear that he’s very much invested in the group now. It’s pretty warming to see how he’s changing things even when it comes to where he sleeps, though T-Dog gets a good line in here too. Maggie and Glenn are starting to have some breaks as well, but he’s still pretty wary after what happened to them recently. And even though Maggie invites him to room with her, it’s not something that he can bring himself to do after what happened and the fact that her dad is in the same house.
When it comes to Randall, the story takes some unusual turns here mostly because of Shane. The general idea was to go back to the plan of letting him loose down the road a ways so that he’d be able to survive for a bit and potentially find somewhere to hook up. The fortification of the farm house makes sense and fits into that plan of holing up. But Shane continues his downward spiral here as he tries to take advantage of the situation by potentially finding out where Randall’s group is and hooking up with them. His method to do so doesn’t speak well of sanity though and we’ve caught several glances of that in this episode alone where he’s starting to fall apart. So a nonsensical plan, or one with some serious holes in it, isn’t a surprise coming from Shane.
While we had a really good if kind of blunt obvious encounter between Shane and Rick before with the whole crossroads thing, this time it goes even further. There had been hope that Shane would realize the path he was on was wrong and come around, but as we see here he’s really gone and been pushed in bad directions because of Lori but also because of his own internal problems that he magnifies easily. It’s a great sequence as it plays out here against the moonlight in the field, both of them circling each other and Rick trying to talk some sense into him. It’s something that’s been building and while it’s gotten close a few times, it’s beautifully played out here. And they do it doubly right. Having Rick and Shane really go at it, verbally and then to make it hugely personal with Rick really saying plain out how he feels, it goes the extra step and gives us the closure that we need with Carl as well. That was what I wanted to see for some time and it means even more now because of the kind of relationship issues the three men have had since the series started.
In Summary:
With this being the penultimate episode of the season, The Walking Dead really hits a lot of great notes here. The action isn’t huge but it serves as some good bookend material here, first to showcase how some of them are coping with things while the second is a bit more intense and personal with a large look at what’s to come in the finale. The character side of the episode is strong overall with a lot of things going on and a focus generally on the men, but we also get some small moments with Andrea as she deals not only with Rick but also a really sweet moment with Glenn. The show moved quickly this time around, covered a lot of ground and again made some changes to the dynamic. Seeing how it all unfolds next isn’t going to be all that much since it’s likely to be action packed, but there’s potential for some good character material, especially with how Rick and Carl may try to find some balance now. Definitely what you wished more of this season was like but a solid episode itself.
Grade: A-

By dawwy777 | | Posted in , , | With 0 comments

The mission to bring Orihime back from Hueco Mundo continues. With fighting. Lots and lots of fighting. And not an awful lot of Orihime, to be honest…
What They Say:
Everyone’s training for the coming battle with Aizen’s herd of arrancars. When they arrive, however, no one is properly prepared. Grimmjow returns to
Karakura Town, escorted by Yammy, Luppi, and Wonderweiss, all of them Espada except Wonderweiss, who is…weird. The clash goes poorly for Karakura’s defenders. Until, that is, Aizen’s true objective becomes clear and the fight becomes moot.
The Review:
Audio:
Audio is presented in English and Japanese 2.0 stereo. I’ve been trying to widen my linguistic boundaries lately, so I listed to this release in both English and Japanese. Both tracks are fairly standard stereo mixes, with some effort having been made to properly place dialogue and effects on the soundstage but nothing particularly spectacular past that. There were no obvious dropouts or other problems. As for the English track – I’ve been becoming more accepting of dubbed anime lately, and Bleach is another series where the quality of the English voice-acting has quite impressed me.
Video:
Video’s hard to quantify in one way – this is a recent show, so in general the animation is clean and colourful, while the transfer is free of any obvious encoding issues. Where it’s strange is that there are scenes dotted throughout the show where the animation has noticeably more detail (both in terms of shading representing lighting, which adds a lot of depth to the animation, and in the amount of work that’s gone into portraying the characters) than for the rest of the disc. These scenes really do look good, but they’re different enough from the show’s usual level of animation that they do jar a bit. I can’t really criticise for the extra effort having been made, though.
Packaging:
No packaging was provided with our review copy.
Menu:
Menus for Bleach remain much the same with every volume – static screen featuring one of the characters (Grimmjow, looking menacing, on both discs in this set), with options for Play All, Episodes, Setup and (on disc 2 only) Extras. There are no transitions, so it’s quick & painless to use.
Extras:
Again as predictable as ever: a production art gallery, and creditless versions of the closing songs. That’s yer lot.
Content: (please note that content portions of a review may contain spoilers)
Eight episodes, and a bunch of set-piece battles for us to switch between – Ichigo vs Dordonii, where Dordonii is taking a certain pleasure out of trying to force Ichigo to use his full abilities (note to the bad guys: if someone’s going easy on you, use the opportunity to finish them off. Goading them into thoroughly whipping your arse is never a good plan); Rukia vs Aaroniero, who turns out to be a former Soul Society member that she was very acquainted with – which of course makes having to fight him that little bit tricker; Ishida vs Cirucci, where Cirucci seems to have underestimated Ishida’s abilities; and Chad vs Gantenbainne, which sees Chad finally work out how to use the full power of his own abilities – although that may still not be enough to save him. While there’s a certain amount of switching between battles going on, essentially this release is devoting two episodes to each battle, which each play out in fairly typical Bleach fashion.
“Typical Bleach fashion”, of course, involves breaking up each battle with lots of exposition, taunting, and details explanations of what’s just happened and what’s going to happen next. It’s that way of doing things that’s the thing I probably like least about Bleach – which, given that it’s essentially all about the fighting, is a bit of a drawback. I like the series best when it’s dealing with actual plot or throwing a comedy filler episode at us (I’d even go so far as to say I miss Don Kanonji). Eight episodes of fighting, though, doesn’t exactly inspire me.
It’s doubly frustrating when there are things about this arc that do need some explaining – but no-one seems too interested in doing that, yet. Given that Orihime’s the focus of all this action, she’s also chronically underused, making just the one appearance (during Chad’s battle ‘arc’), and that’s only so that the bad guys can come and gloat at her about how poorly her friends are doing at that point. I couldn’t help but feel that opportunities to make the volume more entertaining, more than just about the fighting, were being passed over.
In Summary:
But then, I’m not a dedicated Bleach fan, and suspect people who are would get far more out of this volume than I did. They are, after all, the people the series is aimed at, and it’s been fairly successful over the years in hitting the mark with them. The formula clearly works for the people the show is aimed at, and this volume doesn’t do anything to break that flow – so if you’re a long-time fan of the series, I’d be willing to bet this volume won’t disappoint. Could definitely be better, though.
By dawwy777 | | Posted in , | With 0 comments

There have been a number of projects in the works to cover the 3/11 Tohoku Earthquake and one of them that’s in the anime arena is getting a screening at this months Tokyo International Anime Fair on Mrach 24th. Produced by Yutaka Yamamoto with Ordet, it looks as though it’s going to come in the form of a short set to music that Yamamoto is quoted as saying is to “reminds us not to forget those who were directly affected.”

 The real-life locations sometimes featured in Japanese animation, or “anime”, have recently become popular tourist attractions. Anime director Yutaka Yamamoto discovered this effect when one of the works he directed, Kannagi Crazy Shrine Maidens, brought attention to the Shichigahama area in Japan’s Miyagi prefecture. This area was hit hard by the 3.11 disaster, and Yamamoto continuously visited the Tohoku area many times to participate in volunteer work.
The world premiere of blossom will take place at the Tokyo International Anime Fair on March 24. Distribution beyond that is not known by the short will be available for streaming on Crunchyroll later this year.
By dawwy777 | | Posted in , | With 0 comments
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By dawwy777 | | Posted in , | With 0 comments
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It’s off to Kukuroo Mountain and a slew of new and deadly challenges.
What They Say:
After arriving in the Republic of Podokea, Gon, Leorio, and Kurapika board a tour bus to Kukuroo Mountain, where Killua lives. However, they’re blocked by a massive gate. Anyone who attempts to enter through the side door is eaten by the watchdog. Gon tells the guard that they are friends of Killua and asks to be let in.

The Review:
Content: (please note that content portions of a review may contain spoilers)
Hunter x Hunter finished out the Exam phase of the series well in the previous episode with some tension and then a look at what’s involved with being a Hunter to some degree. There’s a lot more to it than explored there, but it offered some of the basics and the importance of their license itself. It also went and reaffirmed the bonds of the three that passed with Gon, Kurapika and Leorio as they’ve decided to go find where Killua lives and figure out how to get back with him. That has them going to Kukuroo Mountain where his assassin family has their massive residence that they operate out of. The journey there is fairly quick all told, but it shows some really neat beauty to the area and its residence as well as a good sense of fun and discovery from the trio as they move along, something that I don’t think was really captured well in the previous series.
The arrival at the Zoldyck family estate is certainly imposing as it’s essentially the end of the tour and a place where you can just tell bad things happen. Particularly when a couple of people try to sneak in past the massive gate only to get eaten within second and have their remains tossed out. While everyone else flees, the trio are excited to finally be at Killua’s home and to figure out how to see him, which is difficult in general even with a very helpful gatekeeper who is just pleased that Killua apparently has friends now. The whole setup for the gate and what’s beyond is really fun since it’s this deadly creature, which means the gate isn’t locked and that leaves the trio the chance to get in, sneak past Mike and find Killua. The gatekeeper is actually a neat guy as we see more about him and it adds a fun little layer to events.
Gon’s intention to see Killua is certainly filled with problems though since getting to him is proving to be near impossible. While the gatekeeper is certainly amenable to the idea, there are things that have to be dealt with first, such as either getting past the multiple gates and Mike, or speaking directly with the butler at the mansion in hopes of getting to talk to Killua. But there are things that the butler won’t let fly, especially since there are instructions previously given and the unbelievable idea that Killua actually has friends to deal with first. It’s really fun when Gon gets all ticked off after his conversation with the butler and make his move, but it’s a moment that sets other things into motion as well. Gon’s personality really continues to shine brightly here and it’s easy to understand why he makes such an impression on other people, even those he’s just met.
In Summary:
The shift away from the Exam phase of the series was a hard one in the previous series and in the manga itself since we had gone down a particular path for so long. By moving it to a smaller group of people, a new locale and a new series of struggles, it’s familiar yet not. The arrival at Kukuroo Mountain has a lot to offer and I almost wish they spent more time in town and dealing with the surrounding area before getting into the Zoldyck family and how its operates its mansion and the challenges that the trio has to face to get to see Killua again. But it all moves well here, taking a good bit of time without feeling dragged out. The group doesn’t truly get far here but so much is covered and explored it feels like it flies by at the same time. Very, very fun.
By dawwy777 | Sunday, 11 March 2012 | Posted in , | With 0 comments

The classic property finds new life, new visuals and the same beauty and majesty it always had.
What They Say:
From Academy Award®-winning filmmaker Andrew Stanton, “John
Carter of Mars” is a sweeping action adventure set on the mysterious and exotic planet of Barsoom (Mars). Based on the classic sci-fi novel by Edgar Rice Burroughs, the film tells the story of John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter discovers that the survival of Barsoom and its people rests in his hands.
The Review:
With a limited experience when it comes to the John Carter of Mars property, having read a smattering of the Marvel Comics books years ago and being unable to get into the first novel,Princess of Mars when I came across an ebook version of it, I initially had no interest in the film other than to see what they could pull off when it was first announced. As the cast and production team came together, notably with Andrew Stanton as director, my curiosity certainly increased. What really sold me on it being an opening weekend movie though was that first trailer at the end of 2011 that went for the quiet approach. It wasn’t the hard sell we usually get for movies of this nature and budget and it had a certain quality to it that really appealed to me, though it generally seemed to put off a lot of other people. It had a certain sense of magic to the way it unfolded things without being all loud and pompous.
And that seems to hold true within the film itself as a whole. Taking in a 2D showing with my two daughters who were quite excited about it from the TV commercials, it was quite the experience since they were able to connect that this “came first” in terms of origins to other things that they’re really into, having grown up with the obvious push towards the end with Star Wars and Avatar among many others. It’s both good and bad to reference other films and properties in your advertising, but considering where John Carter of Mars truly stands in the realm of science fiction and its lack of mainstream knowledge anymore, I certainly can’t begrudge it if it gets people in the seats. And our evening showing of just one of two 2D showings the theater was having (which is more than a lot of other theaters unfortunately as people who dislike 2D are getting a bit of a downgrade here) was pretty full much to my surprise. With the deluge of negativity on the internet, you sometimes forget that it doesn’t always translate into the real world.
The story is certainly straightforward when you get down to it and because it’s been borrowed from so many times you can easily pull out areas that are familiar to say the least. Focusing on a former Civil War soldier who gets yanked to Mars, or Barsoom as it’s called by the natives, the opening act of the film is somewhat awkward because it wants to do a lot of the character setup for Carter right then and there, rather than showing it as it progresses and interspersing various flashbacks of length. We get to see early on what kind of man Carter is, his basic goal in life to get gold to try and deal with the personal pain and loss he’s gone though and to generally be out of everyone’s way having suffered through the war. We also get to see that he’s the type of guy who will use anything and everything at his disposal to survive and move on. It may be a bit blunt when you get down to it, but it owes to the thematic structure of how things were written over a century ago in making the heroes obvious.
The shift to Barsoom is similarly awkward because, rightly so, it’s working with old style science fiction. Carter’s realization of how his body works there with the lower gravity is comical and I’m likely to chalk some of it up to poor CGI/acrobatics as well. It’s not really poor CGI, it just feels awkward in a way that I can’t put my finger on. But all of it is washed away as the feature progresses and we have him introduced to the various warring native elements of the world. From the two human looking tribes from their respective cities, which is boiled down to red versus blue, and the Tharks, the more alien and all CGI natives. Carter’s caught up with the Tharks who find him first and there’s a belief that he can be instrumental to them for several reasons, though they avoid a messiah complex which is thankful. Carter on the other hand is just trying to absorb all of this and figure out how to survive.
Naturally, he gets caught up in the war that’s going on, one that has a much, much larger view to it that’s made clearer throughout with a fairly good reveal towards the final act as the true villains explain simply how long they’ve been doing this and the threat that Earth will face as well. It’s something that’s given its due here but everything is more focused on the more immediate battle rather than the war overall that nobody is truly aware of. Peeling back the layers works well since it works through the two sides, throws Carter in the middle and through him he draws in the Tharks as well. They’re not willingly drawn in at first and in fact spend some good time off screen so that Carter can have further adventures and exploration of the world, in context to the more immediate battle.
And a lot of that is done through the use of one of the people from the city state of Helium, the daughter of the ruler, princess Dejah Thoris. While she has her reasons for escaping from Helium, she also intends to try and end the war in her own way and sees Carter, whose strength and impressive ability to jump amazingly high, as a way to try and rally support. The two have the kind of usual back and forth verbal sparring relationship, but it’s well tinged with different expectations and backgrounds. Carter does handle himself well here, being an educated man who has seen tragedy and has a soft spot for women while not being under their thumb. Thoris may be considered somewhat unusual for the time in that she was played as a strong, outgoing character with intelligence and the ability to handle herself well with the sword. How much this has changed since its initial writings to modern interpretations I don’t know, as I couldn’t handle the prose of the original work, but if it’s fairly accurate it’s definitely a positive.
There are predictable elements to be had here as mentioned before because of the age of the material and the regular borrowing from it. But that’s a given with pretty much everything these days in an age of sequels and remakes. Going back to this older material really was something that I think came at the right time and with the right people behind it. Stanton had wowed me considerably with the first act of Wall-E and seeing his debut as a live action director here is spot on. There’s been plenty of talk about giving a director like him this much money and leeway, but it really feels like it’s all on the screen and in spades. The aliens look great, the set design is spot on and the cities as they get expanded on and used more really are detailed and beautiful, especially in the third act. The flying ships are amazing to watch when you really get down to it and not just gloss over it and it was one of the things that left me wanting more of it to be dealt with. The Tharks themselves are equally well done and are just great to watch moving around and interacting with. Even the hatchlings. And Wolla, the “martian dog,” added the right level of comedy to it without making it a comedy.
In terms of the cast themselves, I really have to say that it just made me happy. I’m not exactly a Taylor Kitsch fan and this won’t make me one, but considering the nature of the character, the surreal situation he ends up in and the time period he’s from, it was the right approach to go with a more subdued one, especially with this Confederate soldier background. He’s a broken man on many levels and this story is what brings him back to life. Plenty can be said about the solid voice acting by those behind the Tharks, especially Willem Dafoe and Samantha Morton, but I really got into Lynn Collins as Dejah Throis. I had seen her in a handful of things before, but here, she embodied everything I could have wanted out of this Princess of Mars. Putting her in these costumes, on these sets with the style through which she carried herself, it made her more of the star than Carter at times. Which is exactly how it should have been when you get down to the source material.
In Summary:
I really struggled with how to grade this film as I think it’s better than how I finally did grade it, but the third act ends up becoming too rushed as it moves through its events. It doesn’t drag them out, which is a huge plus, but you have to realize that the third act starts earlier than you think it does and contains more exposition. We’re so used to the big action third act with everything going over the top that when it’s just a part of it, it feels rushed and shorter than it should be. What I got out of John Carter though was a great visual and story experience that tells a large tale that’s well grounded in its characters, makes them all more accessible than I thought they would be and has a certain visual majesty that really did amaze me. Avatar was the film that in the last decade finally built a world that in my view rivaled what Star Wars did in the 70′s by creating something rich and alive. John Carter is a film that I really hope that there is more made of with more exploration of what Barsoom is like. It has such a stark and fascinating beauty to it that Stanton and his team brought to the screen here that it would be a shame to not utilize it more. This is strong, classic science fiction that hasn’t truly been made an in age. It’s not free of flaws, no film is, but viewing it as a whole and really reflecting on the experience has made me very enthusiastic about it. It’s definitely worth seeing in the theaters.